Coming soon
Model ML/01 — Stereo Processor
lush.
Throws · Delays · Reverbs
A delay, a stereo motion engine, and a luscious reverb in one plugin. The sound you've always heard in your dreams.
Throws · Delays · Reverbs
A delay, a stereo motion engine, and a luscious reverb in one plugin. The sound you've always heard in your dreams.
The throw is one of the most expressive moves in modern music — and one of the most annoying to build. A delay on one bus. A motion plugin after it. A reverb after that. And every plugin in that chain was designed in isolation, without knowing it was about to feed the next. Lush is the chain, built as one instrument.
Dry then wet
Dry then wet
Dry then wet
Dry then wet
Most "all-in-one" delay-and-reverb plugins are just two engines stacked end to end. Lush is built around a single signal path: the delay paints the rhythm, the motion engine sweeps it across the stereo field, and the reverb catches the result and blooms. Every stage was tuned with the next one in mind.
One click swaps the chain: now the reverb feeds the moving delay, instead of the other way around. The first puts a moving sound into a still space — long, blooming tails. The second puts a still sound into a moving space — rhythmic, ricocheting wash. Or run them in parallel for something between.
Two LFOs — a primary and a slow secondary that modulates the first — with a chaos blend that mixes in random sample-and-hold. Stereo movement that swirls and evolves, never the mechanical ping-pong of a stock auto-panner. Turn it up and the throw breathes. Turn it down and it sits still.
Microshift-style stereo detune and Haas offset, on a single control. The character of an H3000 or Microshift, without reaching for one. Hard L/R when you want it, dead center when you don't.
One-time payment. Free updates. Two-machine license. 7-day full-feature trial — no card required.
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